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Udaipur Tourism

Udaipur is known as the Venice of the east. It is also called the city of lakes. The Lake Palace on Jag Niwas Island in the middle of Pichola Lakes is the finest example of its architectural and cultural explosion. The grand City Palace on the banks of the lake compliments the palace along with the Monsoon Palace on the hill above. Udaipur is also the centre for performing arts, craft and its famed miniature paintings.The Shilp Gram festival is a center of attraction during the season.

Maharana Udai Singh II founded Udaipur in 1568 after his citadel Chittorgarh was sacked by Mughal Emperor Akbar. The legends says that Udai Singh was guided by a holy man meditating on the hill near Pichola Lake to establish his capital on this very spot. Surrounded by Aravali Ranges, forests and lakes this place was less vulnerable than Chittorgarh.

Maharana Udai Singh died in 1572 and was succeeded by Maharana Pratap who valiantly defended Udaipur from subsequent Mughal attacks. Maharana Pratap is the most revered Rajput icon and gallantly fought the Mughal at the Haldighati in 1576. Mewar continuously defied foreign invaders and has a history of bloody battles until the British intervention in the nineteenth when a treaty was signed to protect Udaipur. Upon independence Udaipur merged in the union of India.

Places To See

The Lake Palace
The Lake Palace is located on the Jag Niwas Island and covers the whole of 1.5 hectare of the island in the middle of the Pichola Lake. Built by Maharana Jagat Singh in 1743 it was meant as a royal summer palace and now converted in to a five star palace hotel. It is a magical palace and its image in the middle of the lake is like a leaf straight out of a fairy tale book with an excellent taste of intricate craftsmanship and the ethnic themes using the textiles and handicrafts all over highlight the beauty that is simply beyond compare the lake around makes a pleasant murmur with its rippling waves and lapping that adds to the mesmerising moments.

City Palace
City Palace towers over the Pichola Lake. Maharana Uday Singh initiated in the construction of the palace but succeeding Maharanas added several palaces and structures to the complex retained a surprising uniformity to the design. The entry to the Palace is from the Hati Pol, the Elephant gate. The Bari Pol or the Big gate brings you to the Tripolia, the Triple gate. It was once a custom that the Maharana would weigh under this gate in gold andsilver, which was distributed to the populace. It is also now the main ticket office. Balconies, cupolas and towers surmount the palace to give a wonderful view of the lake. Suraj Gokhada or the balcony of the sun is where the Maharana would grant public audiences mainly to boost the morale of the people in difficult times. The Mor Chawk is the peacock square and gains its name from the vivid blue mosaic in glass of a peacock that decorates its walls.

Fateh Prakash Palace
It's like being cocooned in authentic royal luxury at the Fateh Prakash Palace, the grand heritage palace of the HRH group. The warmth of royal hospitality greets you as you walk along the corridors lined with large paintings of the Mewar school that flourished in the seventeenth through nineteenth century. The lake facing suites in the turrets are suitably appointed with four poster beds and period furniture, festooned with maroon velvet curtains and delicate silk tassels. It's a legacy kept alive since the early decades of the twentieth century when Maharana Fateh Singh (period of reign : 1884 - 1935) used to be the royal occupant of this palace. Till date the formality of royal occasions are maintained.

Jag Mandir
This is the other island palace in Lake Pichola, which was constructed by Maharana Karan Singh as a hideout for Prince Khurram the estranged son of Emperor Jehangir the implacable foe of the Maharana. The reason for the aid was that the prince was the son of a Rajput mother. It is also said that Shah Jahan [prince Khurram] derived some of these ideas for the Taj Mahal from this palace when he stayed there in 1623-24. The island has some striking carving including a row of elephants that looks as though they are guarding the island. The exquisitely carved chhatri in grey and blue stone is another example.



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