Building of Taj Mahal
Unlike other Mughal tombs, the gardenof the Taj Mahal has been laid out
entirely in front of the tomb and does not play any part in the 'background'.
Instead, the background hasbeen provided by the sky. This background is
not constant; it changes its colour and texture more than often, and the
Tajis always presented in a variety of tints and moods. Its shades are subtly
reflected on the white marble surface of the Taj Mahal whichchanges its
colour and complexion accordingly.
Marble
The Makrana marbleused is of such a nature that it takes on incredibly subtle
variations of tint and tone, according to the changes in the light, thus
picturing the passing colour of the moment.
Soaring Effect
The colossal height ofthe tomb, along with its pyramidal appearance (which
is obtained by the receding plinths, the square tomb and the bulbous dome,
along with the pilasters surmounted by pinnacles, the tapering minarets
and the decreasing volume of the dome culminating in a kalasa) give it a
soaring effect. It appears as if it is about to rise into the sky...an ethereal
quality full of lightness and grace.
Correction of Illusionary Effects
The indigenous builders ofthe Taj Mahal fully understood the deceptive nature
of the human eye. They knew that the reality and its perception and interpretation
thereof differed. The plinth of the main tomb is 2'10'' high on an average.
But the height varies at different places, particularly thecentral point
between two piers being in each case 0.5" to 0.7" higher than
the sides. This convexity has deliberately been given to the plinth in the
centre of each arch, or else the building would have appeared as if it were
falling down! The facades are not exactly at a right angle with the plinth,
but are slightly inclined.
The finial is astupendous crowning feature which measures nearly 10 meters!!
The architect fully anticipated the apparent size which a finial would presentfrom
such a great height. It has therefore been very ingeniously been planned.
These features of construction demonstrate the ability of the Indian architects
to reconcile the illusionary effects created by distance and light.
Fluted Pilasters
Sections in eachfacade have been demarcated by semi-octagonal pilasters
that rise from the plinth of the main tomb. They have chevron patterns inlaid
with black and yellow marble horizontally along their whole height.
They appear to be fluted on each side though, as a matter of fact, there
is no real fluting at all. They create a beautiful illusionary effect which
the architect has very skilfully manipulated.
Uniform Size of Calligraphic Characters
The letter of the inscriptionaround archways at the Taj Mahal, are generally
supposed to become larger and larger above. On closer scrutiny, however,
they are found to be of uniform size. Instead, the letters have been inscribed
densely at the bottom, with little plain surface in between; the inscription
becomes more and more sparse as it rises with more plain surface in between
the letters.
The diminution of the plainsurfaces has been accurately calculated. Thus,
the optical perspective of the letters has been reconciled, and unmistakable
uniformity is obtained.
Forms and Lines 
The composition of the formsand lines of the Taj Mahal is perfectly symmetrical.
Here we meet with a beautiful admixture of lines, horizontal with vertical,
and straight with curved - all harmoniously set together in the total unity.
They adopt each other with amazing uniformity.
The combination is entirelyrhythmic and melodic. Especially the semi-octagonal
alcoves at the chamfered angles which are perceptible from every perspective
view and give a 3-dimensional appearance from the outset. They emphasise
the diagonal lines and suggest depth.
Solids and Voids
The great depth has alsobeen further suggested by the double arches, one
over the other, on each side of the central portal. The solids and voids
have very judiciously been distributed to provide a variety, yet an undiminished
uniformity.
These alcoves, the balconiesin each minaret, the chhatris near the dome,
and certain pronounced projections in each facade allow a beautiful play
of light and shadow.
Building of Taj Mahal, Taj Mahal in Agra
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